Showing posts with label Southern Art. Show all posts
Showing posts with label Southern Art. Show all posts

Wednesday, April 09, 2014

The Storied South (copy)

The Storied South
William Ferris has a new book out titled, The Storied South: Voices of Writers and Artists. It is his early interviews with noted movers and shakers in the late 60s through to early 90s, and not all were Southern. The book includes his original recordings of the interviews on CD and his Super 8 videos on DVD.
Readers will hear familiar voices like Eudora Welty, Alice Walker, Bobby Rush, Walker Evans, William Eggleston, Carroll Cloar, and William Dunlap. They will also find some surprises with Charles and Pete Seeger, Sterling Brown, and Dr. John Dollard.
Take some time to revisit the Agrarian Movement with the voices of one leader Robert Penn Warren, one follower Cleanth Brooks, and one detractor John Blassingame. In Robert Penn Warren’s interview I read that Faulkner was loved by the Agrarians and Warren cited Fletcher, Ransom and Owsley. In college, I learned they hated Faulkner thus my distaste for them.
 As a resident of Como, MS, I also like Warren’s comment, “During my time as a student and teaching in the South, parties were almost always either playing charades or poker or tale-telling. Andrew Lytle was a great actor and a great improviser of tales. He was one of the best raconteurs and conversationalists I have ever known. There are only a few people who can even touch him. Stark Young could and Lyle Saxon in New Orleans could.”
Pete Seeger’s interview was eye opening probably because I am more familiar with his children’s book, “Abiyoyo,” than his activism. His father who is also interviewed taught him the importance of folk music and Alan Lomax hired him—for $15 a week—to listen to “old commercial records of the twenties.”
Seeger wanted to improve his banjo playing and what better place than the South. He “learned to hitchhike” in 1940 and hit the road with a little trick from friend, Woody Guthrie. Sit at a bar nursing one beer with your banjo slung over your shoulder. After a while, someone is bound to ask if you can play. Woody said hang back and be reluctant. “Well maybe a little,” and keep on drinking your beer. “Finally, somebody is going to say, ‘Kid, I got a quarter. Play me a tune.’ Now you start playing.”
Seeger crossed the great Suwannee River in the sky this past January, but this interview feels like he is talking directly to us today. William Ferris’s rapport with all his subjects emits a back porch, talk amongst friends, feeling and we have access to rare and fun Southern stories.

Wednesday, October 16, 2013

Si-cology 101 (copy)

Read Si-cology 101: Tales & Wisdom from Duck Dynasty’s Favorite Uncle by Si Robertson this weekend and had a hoot. Before I even picked it up, I had rave reviews from instructors and librarians alike.
Just who is Si Robertson? He is a family member of the Duck Commander Company and appears on Duck Dynasty, an A&E reality show, that follows his brother’s family who make millions on a reed duck call retailing at $60.
I have yet to see the show myself, but I cannot get through one aisle at Wal-Mart without bumping into a camo-wearing, bearded caller ad. Two weeks ago I was in Roanoke, VA, visiting a high school that happened to be celebrating homecoming and that particular Friday was Duck Dynasty Day. All the students were wearing camouflage in some form or fashion along with their school colors. One can easily guess the favorite Halloween outfit this year.
Uncle Si did not join the company until his retirement from the military. He really did not sign up for the reality show, either. His cameos were secretly taped and some of his sayings and stories were so memorable they had to include him in more of the show.
Si-cology 101 begins with Si explaining that he has only told a handful of lies in his life. He can count them on one hand and he still feels bad about a couple told as a child.
He states, “I believe lying is a learned skill. Some people are good at it, while others aren’t. I’ve always been a lousy liar. The key to being a good liar is to know when you can get away with it and when you can’t. You have to keep a straight face if you’re going to lie, and I could never stop smiling when I tried. My palms would get sweaty, and I’d lose my composure and start to stutter. Hey, I even grew a long beard so people couldn’t call me a bald –faced liar.”
So, Si claims that 95% of his stories are truthful, at least what he can remember of the original events, and this is how he became popular on the show. His stories about growing up in southern Louisiana and his Vietnam days have been perfected in the many hours sitting in cold duck blinds with Willie and Jase.
This book will start you at his beginnings, naked as a jaybird, and end with letters from his family addressed to him. Along the way, one will learn why he is forever carrying his Tupperware cup of iced-tea and why his face is so hairy. All stories you do not want to miss, and that’s the fact, Jack.

Thursday, September 02, 2010

Please Help by Voting!


Powerhouse Finalist for Tom's of Maine
$20,000 Grant Public Voting Now Open:
Vote to support the Arts Council!


The Yoknapatawpha Arts Council has been selected as a finalist for a $20,000 award in the 50 States for Good program sponsored by Tom's of Maine. Tom's of Maine receives thousands of submissions for this program. They have selected just 41 groups to consider as finalists. TheYoknapatawpha Arts Council's project to renovate the Powerhouse Community Arts Center is the only organization in Mississippi that was selected.

The program has entered the public support phase and we need your help. We need you to vote for our program on the 50 States for Good website. Voting is active. Follow the links below to vote for the Arts Council. You can vote once a day. Although all the programs that have been selected are worthy we hope you will help bring this support to a program in our community.

Please take time to vote right now. Share this link with your network of people. Then save this link, vote again everyday, and remind your friends to vote everyday.

CLICK HERE TO VOTE

Thank you for your continued support of the arts.

Wednesday, March 11, 2009

American Masters of the MS Gulf Coast (copy)


The librarian called and I put on my running shoes! She was holding a new book for me and I could not wait to flip through the pages. Yes, I work at a library but this particular book was still on order. My book lust was too strong to let the copy sit one more minute on the public library’s shelf.

I am speaking of American Masters of the Mississippi Gulf Coast: George Ohr, Dusti Bongé, Walter Anderson, Richmond Barthé by Patti Carr Black. In book form, it is the catalog for the current exhibit traveling the state of Mississippi until 2010. The closest venue for the exhibit is Oxford at University of Mississippi Museum during the month of August 2009. Can you say road trip!

The Mississippi Gulf Coast is a magical, mystical place that feeds its artists’ passions. From a mad potter to an exclusive purveyor of African souls, Mississippians, whether art enthusiasts or not, will delight in the examples provided in this book. It is our coast’s natural beauty which flames the fires of imagination in our state’s inhabitants.

“’The Coast’ is abundantly gifted in arts and culture, has produced world-class visual artists, and boasts of a unique agua- and agri- culture that melds the rural simplicities of Mississippi lore with the rich eccentricities of New Orleans,” states the Director of Mississippi Arts Commission, Malcolm White, in the introduction.

The format of the book includes a brief history of the area by Patti Carr Black and then breaks into four parts for each artist. The four parts are separated further by a biography of the artist, the artist’s approach to his art and a brief sampling of works in the exhibit. Unfortunately, Richmond Barthé’s sampling of work is too brief. The artist has only four sculptures depicted on full pages where the others have over ten.

Flip through these pages and reacquaint yourself with fellow Mississippians: George Ohr, the mad potter of Biloxi who may have the honor of being the first American performance artist, Dusti Bongé, a woman of privilege who singlehandedly brought modernism to Mississippi, Walter Anderson, a recluse who rode his bike 200 miles for art supplies, and Richmond Barthé with his rags to riches then back to rags story who may be the first African-American to receive $100,000 for a single piece of art.

American Masters is well worth the run to the library, but I wish it included more art.

Friday, May 30, 2008

Another International Winner!

Oh My!
I'm pleased to send you a little sumtin from the South.
Pecans are the perfect snack while reading Gone with the Wind.